Very happy to be in D.C. for the AFI Documentary Film Festival. My film Styrofoam is playing on June 15th at 4:00 at the Landmark. Sound track by the great Nick Zinner. http://afi.com/afidocs/shorts.aspx#styrofoam
You can see the films at my site for the project - http://work-is.xyz
I got a new drone and I am really happy with it! The camera is great. I have been shooting drone footage on projects for a couple years but it has always been a complicated balance between having a drone that was easy to travel with and one that took decent pictures. Finally it all comes together. Not that the world needs more drone footage but I am excited to have access to one more amazing tool.
In the run-up to the Olympics in Brazil, I directed a 30 second TV ad and shoot a photographic campaign for Oakley featuring Lin Dan, the two-time Olympic champion and five-time World champion in Badminton. Agency: Jellymon.
This is a short film I made on the artist Amalia Ulman about her piece "Rescue", an interactive sleepover, where 15 strangers were asked to dispose of phones and personal belongings and were left stranded in an art gallery for an all-nighter. The film was made for AirBnB
It's been too long since posting here but it's nearly spring and I have a lot of recent work I would love to share. Here is a photo I took for Modern Weekly of Ms. Jade.
This is a piece I originally made for a show at PS1 MOMA. Happy it has a new life as a Domus magazine mixtape.
A binaural immersion into the environments of winning, and losing, in the gambling-as-spectacle capital of the world.
We hear a room full of hundreds of slot machines making their appeal. Occasionally we hear the machines paying out in the clinking of coins. My path was guided by the sounds of winning. In this recording I would get as close as possible to the people and machines that were paying out. I recorded this piece with a pair of tiny homemade microphones hidden in a hat while walking around the casinos in Las Vegas. One microphone on each side of my head in front of my ears. The technique is called binaural recording. My head becomes an obstacle for the sound so that a sound coming from the right has to travel a greater distance to the left ear, creating a slight time delay which our brains use to locate the source of the sound. The shape of our ears allows our brains to figure out if a sound is coming from the front or behind of us. With this recording technique—which is ideal for reproducing the "live" sensation of a concert hall or any type of ambient or naturalistic recording—my ears become reflectors and obstacles for the sound before it hits the microphone, which creates a very detailed and immersive stereo field.
The Domus Mixtape series is curated by Daniel Perlin.
check it out here...
Article by JOHN W. W. ZEISLER from The Picture Professional Art direction by Ophelia Chong
NOAH SHELDON HAD BEEN TRAVELING back and forth from China to New York for work, where he is represented by Julian Richards, but when his wife, an architect and artist, was offered a job in Shanghai, they jumped at the offer. Aside from being able to raise his daughter bi-lingual, Sheldon would also have the opportunity to ingrain himself in a culture not often photographed. Now, when you look at Sheldon’s photographs, one of the most apparent things is what’s missing. He often refuses to show a finished product. Instead, he brings the viewer into a moment of process; an empty stadium, the politician on his way to the stage, models receiving last minute instructions backstage before heading down the runway. There is something unnerving but also invigorating about this, and Sheldon’s new project Weightlifters continues in this vein.
For this collection, Sheldon got the opportunity to photograph members of the Chinese national weightlifting team preparing for the London Olympics. It is a precise and captivating essay on the process of training the body for a Herculean task.
He blends relaxed portraits of the men and women with staged shots that show off the athletes’ statuesque bodies. There are also several compelling images of the artifacts of the gym, where the athletes have spent most of their lives—damp towels, the daily log book of accomplishments, the fading colors of weights. A sweaty, humid light pervades the images. The effort and preparation of the athletes is palpable.
In China, photography is sometimes a difficult passion. A crumbling wall or old building may call out to a photographer, but such documentation is not always welcome. Sometimes the sight of Sheldon setting up his tripod draws the attention of Chinese officials who don’t want him photographing old things. He says, “I’ve gotten really good at taking quick pictures of everything my minder wants me to, then I go and photograph what I want to.” Sports photography can be even more difficult because the athletes are important representatives of China’s image abroad, and access to them is limited. As in much of East Asia, sports academies are common in China, and Sheldon had been trying to do a project about them for a while. When he was finally granted access to photograph a school in Beijing, he hopped on a plane only to arrive at the location and be turned away for being a foreign photographer.
Undaunted, Sheldon turned to an art director friend who had just been asked by Nike to do a shoot. The Nike imprimatur had enough cachet to get Sheldon over the hurdle of “sensitive matters,” and he was able to visit a sports school for weightlifters. Although Sheldon had limited access, only two minutes with each athlete, he was able to snap enough to cull into the sixteen images he finally chose. Many of the lifters he photographed went on to cover themselves in Olympic glory, but somehow these before shots tell a more intriguing story. They are relaxed, down-to-earth, and atmospheric, eschewing the spectacle of sport for the quiet moment. Even the photos of the athletes as statues have a playful quality, displaying the humility and dedication of the men and women.
He’s made the most of his time in China. In addition to his professional work and artistic projects like Weightlifters, he maintains the photoblog Far East Broadway where he displays photos, often portraits, of his time in China. Spending a good deal of time in factories, he often thinks of Lewis Hine’s photographs, and these photos carry a casual, everyday quality, documenting the diversity of the country. He says, “When the West thinks and depicts China, it is so often huge masses of conforming people.” However, living there has allowed Sheldon to contextualize and sympathize. He has come to believe that China is “a land of eccentrics with a quiet kind of individualism expressed in small gestures.” Weightlifters, with its soft-spoken candidness, gives viewers one such glimpse into this unexpected perspective.✹
I had a great time shooting Converse’s Get Dirty campaign for greater China. It was super fun. We set up a seamless backstage at a concert in Shanghai sponsored by Converse - I photographed each member of all the bands that played right before and after their set. We featured band members from Hell Yeah, New Pants, Queen Sea Big Shark and more.
I am happy to say that I have a story about the Chinese Olympic weightlifting team on Nowness today. An amazing day at the Chinese national sports training center in Beijing.
I had the honor of photographing Wu Jingbiao (吴景彪), Zhang Jie (张杰) Lu Xiaojun (吕小军), Zhou Lulu (周璐璐), Li Xueying (李雪英) and Tian Yuan (田源).
Zhou Lulu is considered the worlds strongest women after winning the gold medal and beating the world record in the process! Lu Xiaojun both won a gold medal and beat the world record as well. Li Xueying won a gold medel and Wu Jingbiao won a Silver Medal.
A short video I shot from my apartment in Shanghai on Chinese new year 2012 of fireworks. It get's interesting around the 1 minute mark.